Category Archives: Podcasts
I found out about this podcast through Instagram thanks to the ‘JusticeForAlissaTurney’ account managed by Alissa’s sister, Sarah. I almost didn’t look at that profile or click on the link to the podcast, but once I did, I couldn’t stop listening. Go check it out—this entire story, from Alissa’s disappearance to her stepfather Michael’s history—is fascinating.
Listening to Ottavia Zappala describe Alissa at the start of the podcast, it struck me that she was a few months older than I was, and would have graduated high school the same year I did had she not gone missing the last day of school her junior year. It’s sobering to reflect on the things I was concerned with at that time. What was I looking forward to, fearful of or worried about as a junior in high school compared to what we learn and during the course of the podcast?
This investigation lays out a story that runs much deeper than a missing girl. It tears into the underlying factors that led to Alissa’s disappearance; not only those that went completely ignored by police in 2001 when she was assumed to have runaway and was disregarded by law enforcement, but the many occurrences over the decade prior as well, when people close to Alissa and the Turney family repeatedly chose not to believe or appropriately act on evidence of sexual abuse.
Its remarkable that if not for a convicted murderer falsely confessing to killing Alissa, police never would have taken another look at her disappearance eight years later. As they investigated her case in order to corroborate or discount Thomas Albert Hymer’s confession, police began to realize that what had been dismissed as a teen runaway was likely something much worse.
But what could investigators do eight years later? Or in the ten years since Alissa’s case was reexamined? When police eventually moved obtain DNA from Michael Turney, Alissa’s stepfather, as part of this new investigation, they discovered a stockpile of weapons, pipe bombs and a detailed plan for attacking a union hall, which he believed was at the heart of a decades-long conspiracy targeting him and his family. If he was capable of that level of planning and violence, could he be responsible for Alissa’s disappearance?
How the search for the truth about one young girl who disappeared forty years ago can bring the greater tragedy of Canada’s Indigenous peoples to the forefront.
Its remarkable how one family’s story, the story of one young girl, can represent a larger tragedy. As I’ve listened to this story unfold, that thought has come back to me again and again. I recently listened to the first episode of the podcast “Finding Cleo” podcast through David Ridgen’s “Someone Knows Something”. I highly recommend all the seasons of that podcast as well, as David is so thoroughly Canadian and polite and wholesome as he investigated unsolved disappearances, you can’t help but be sucked in by it.
Before I’d even finished the first episode I was searching for more information and had started writing what would become an Instagram post and then this blog post.
The story of Cleo is a haunting and disturbing introduction to one woman’s search for the truth about her sister and the broader, dark chapter in Canadian/Indigenous history. This story does not just exist within Canadian history, however. Examples of similar attempts at eradication can be found in the United States’ treatment of its own Native tribes or the treatment of those who were or considered inferior or intellectually disabled in the early twentieth century. While the abhorrent behavior of those in power toward those who had none is not new, this podcast is able to narrow a broader tragic story down to focus on the dismantling of one family and the mysterious end of one little girl.
CBC News is launching Season 2 of the podcast “Missing and Murdered” with host Connie Walker about a family’s search for Cleo Semaganis Nicotine, who was adopted out of her Saskatchewan First Nations community and sent to live in the U.S. 44 years ago. During the first three episodes the mystery of just what happened to Cleo deepens as it’s revealed she may not have been adopted to Arkansas as originally believed.
The last time any of them saw her was in 1974 in rural Saskatchewan when Cleo was allowed to say goodbye to one of her brothers before she was taken to her new adoptive family. Her brother was himself adopted to the States, with government officials essentially bribing him in order to gain his complacency, before he sending him to a childhood of what amounted to slave labor in the United States.
Cleo was nine years old when she was stolen from her family, and she was one of thousands of Indigenous children caught up in what is now known as the Sixties Scoop.
Cleo was believed to have been sent to a foster family in Arkansas and killed while trying to hitchhike back to Little Pine First Nation in Canada, but no one had been able to say for sure how much of that was true.
Now Christine Cameron is joined in her search for the truth about her sister, and answers about the Canadian government’s attempted eradication and forced assimilation of First Nations people.
You may remember a while back when I shared an episode of the podcast Actsiders that featured an interview with Ali Nasser. He discussed being an international actor and having a multifaceted career that spans cultures as easily as it does genres and artistic mediums.
If you haven’t listened to Ali on Actsiders, check it out, and then subscribe to and listen to the rest of the episodes. When you’ve finished all that, jump over to YouTube and watch a short film by Ahsan Minhas that Ali recently starred in called “The Funeral.”
In a very brief glimpse into his character’s life, we are able to see a man struggling to balance the success that will define his future and the relationships that represent his past. Having listened to the Actsiders interview and knowing Ali as an Egyptian-born/New York-based actor who is so rooted in both worlds by the relationships and career paths he’s cultivated, I may be seeing a deeper duality than was intended by either actor or writer/director. More than likely however, that was precisely what was intended, as this film sought to convey not only the intimate grief of one man, but the constant struggle between the almost split personalities our modern lives break us into.
In everyday life, even when there isn’t a death or culminating milestone event, aren’t we all constantly being pulled in different directions, whether by responsibilities, expectations, promises, dreams?
How can we balance it all? The mantra of ‘work hard, hard’ that was meant to symbolize a hard day’s work to pay for a fulfilling personal life has been cast aside in today’s world as we find ourselves always working, always connected, always moving. And always falling short.
How can we be good men and women, good mothers, fathers, children and siblings, good friends, good bosses, coworkers, good Muslims, Christians, believers of any faith, good creators and consumers? How can we balance what we give with what we receive? How can we be good people and good enough? And how do we keep up the strength to be all of those things that we expect of ourselves when we have failed at one of them.
I hope you’ll watch the film, and if you have the time, check out Ahsan’s other work, which I found just as interesting and thought provoking.